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Sue Archer

Wordsmith | Editor

Author

Sue Archer

Writer, editor, voracious reader, lifelong learning enthusiast, and lover of alternate worlds

Reader/Writer Review: The Flaws of Gravity by Stephanie Caye

In this blog series, I’m writing about books I’ve enjoyed and learned from both as a reader and as a writer, with a focus on Canadian and indie fiction authors.

Cover of The Flaws of Gravity by Stephanie Caye, featuring a woman in a simple black cocktail dress sitting on the side of a building looking out over a city landscape full of skyscrapers with purple lights.First up is The Flaws of Gravity by Stephanie Caye, the first book in her fae urban fantasy series Gravity’s Daughter. I grabbed this one after being on a panel with Stephanie as part of Canada Fiction Fest. Urban fantasy is right up my alley, so I was excited about this one, and it did not disappoint! I’ve already picked up the next one in the series.

Synopsis 

The existence of tequila is at stake. Oh, and humanity too.

Jude Waldron’s playing both sides of a supernatural cold war. While collecting a paycheck from a secret human organization fighting against the Faerie Court, she’s also helping her friend and mentor Aubrie search for illicit magic. But when Aubrie’s true scheme pits her violently against her human colleagues on his behalf, the half-Faerie renegade finds herself taking the fall—literally.

Now Jude’s ready to cut and run, destination: “The Hell Away from This Mess.” Bonus points if there’s a warm beach nearby. Before she can pack a bag, a shady group of Faeries traps her, demanding she steal a spellbook for them—the same book Aubrie wants. She’ll have to face off with catty pixies, vicious sirens, a calculating dragon and a pissed off ex-boyfriend in pursuit of a prize that could merge the human and Faerie worlds into a chaotic nightmare. If she pulls it off, Jude will win her freedom along with safe, anonymous passage to her chosen sandy paradise. And, right, save two worlds.

Reader Review

A gripping urban fantasy! Could not put it down. Stephanie deftly handles a cast of characters with different powers, perspectives, and motivations, and Jude as the main character is very relatable in both her flaws and charms. Plus the story features several Canadian cities (Montreal, Toronto, Niagara Falls, and much more – nice to see a shout out to St. Catharines!) The various settings and character storyline strands are woven together into a fast-paced plot with meaningful stakes and a satisfying payoff that still leaves room for more.

About the only thing I would have loved to see more of is additional sexual tension between Jude and her ex-boyfriend, but that’s a personal bias and it doesn’t detract from the story. Their mutual challenge in navigating their history while trying to work together was nuanced and believable, which can be very difficult to pull off!

Writer Review

What I loved about reading this story is seeing the way in which Stephanie manages the POVs of her various characters. Jude is telling her story in first person, but several other characters have their own third-person POVs. Bouncing from one character to another so frequently can potentially be disruptive and result in unnecessary info-dumping from minor characters if you’re not careful, but here all the character handoffs served both to flesh out perspectives in meaningful ways and reveal different angles of the plot in a seamless fashion that matched the spy-like aspect of the narrative. I did not get lost or disrupted, and I left the book with a vivid sense of all the characters in ways that intrigue me about where they are going next. I definitely need to go back and study the scene structure of this story for the benefit of my own writing!

You can buy Stephanie’s book through several retailers (the series is currently 50% off at Smashwords), and you can also watch her Fiction Fest panel replay until July 18th.

 

On to the next book in my toppling TBR!

Sue

Canada Fiction Fest Panels – Catch the Replays!

A black square image with contrasting red text and an image of a open book, taken end-on, with the pages splayed open so it looks as though someone is flipping through them. Red maple leaf images are arranged to look like they are spilling out of the book. Text in the top left corner reads: “Something BIG is happening! FictionFest.ca”Recently I had the opportunity to jump into a fantastic new celebration of Canadian fiction with both feet: Canada Fiction Fest, a free online two-week event launched by N.P. Thompson (and co-hosted by Steve Hugh Westenra).

Canada Fiction Fest features 121 Canadian authors from 11 provinces and territories doing 36 author group readings and panel discussions, along with a showcase of their works across all genres – fantasy, mystery, romance, science fiction, horror, and more! My TBR has now grown substantially, and I encourage you to do the same in support of Canadian authors. 🙂

I was thrilled to be able to read from my paranormal fantasy novel Fortune’s Shadow in a panel on June 27 and listen to three other fantasy authors (whose works also included ghostly vibes!), J.F. Garrard, David Jón Fuller, and Y.R. Liu. Their readings were all amazing and I recommend catching the entire panel replay.

I also participated in the panel “From the Urban to the Epic: What Makes it Fantasy?” and had an absolute blast discussing what makes this our favourite genre with Stephanie Caye, Ash Kreider, and Will J Fawley.

All of the replays from the event can be found at the Canada Fiction Fest Youtube channel, but only until mid-July, so check them out now!

Kudos to N.P. Thompson for launching this event. All the participants I encountered were so excited by the chance to meet other Canadian authors and talk about their works. This is the first online event in Canada with this national scope across traditionally published, hybrid, and indie authors, and I couldn’t be happier with my experience. I hope to see another one next year! In the meantime, back to writing (after I finish browsing the showcase!)

Cheers,

Sue

A Year in Bridgepoint: Happy Anniversary!

It’s been exactly one year since Jocelyn “Jinxy” Lancaster saved Bridgepoint with the help of her friends in my novel Fortune’s Shadow. Hugs and deepest thanks to all of you who bought my story, requested it at your library, recommended it to your friends, and posted ratings and reviews. You’re the best!

Picture of Fortune's Shadow with a candle in the shape of a 1 on top flanked by two glossy blue present decorations tied with gold string.

(If you haven’t had the chance yet, and you’d like to read a contemporary fantasy about an indie musician who makes a magical wish that turns her quirky lakeside town upside down, Fortune’s Shadow is available on Amazon, kobo, Apple, and other retailers, as well as library platforms like CloudLibrary and Overdrive. And if you’re in Canada, I can potentially send you a signed copy. Just connect with me here.)

So what’s been happening this year? As far as the self-publishing side of things goes — it’s been a completely worthwhile experience, but it’s definitely been a tough time to be a debut author. Although my book is selling online, I haven’t been able to do any in-person events, which is sad. I can’t wait to get out of my house and visit bookstores again! In the meantime, I’m celebrating what I have been able to achieve since my novel launched.

  1. I created my newsletter subscriber list. Hurrah! If you’d like to hear when the next adventure in Bridgepoint is coming out, featuring Jocelyn, Grace, and all the characters you love, please sign up. I’ll be sending occasional news on my progress and will let you know about any upcoming sales or events.
  2. My book was featured in my library’s Local Authors Showcase in January. It’s been circulating ever since, which is such a thrill for me since I basically grew up in libraries.
  3. I’ve been able to keep writing despite everything going on this year, although the pace varies. I’m still optimistic I can get the sequel out either later this year or in early 2022. I’ve also been working on some short stories set in the Nexus Chronicles universe that I’d like to share in my newsletter in the future. (Bridgepoint fans, do you have any featured character requests? Let me know, or add your thoughts below, and I’ll see what I can do!)
  4. I’ve met some fantastic folks and learned a ton about the craft of writing through online conferences like the Nebulas, Flights of Foundry, and FOLD. I’ve met my hero Lois McMaster Bujold and taken a plot workshop from the incredible Julie Czerneda.
  5. To keep healthy and reduce my pandemic stress levels, I’ve been taking regular #StetWalks with a bunch of editors, writers, and other creative folks. We encourage each other to keep moving by sharing pics from our individual journeys on social media. And then this spring, I was asked to help co-create a video about it (called “The #StetWalk Story“), which was featured at the 2021 ACES Conference. (Hollywood, here I come. 😉 ) It’s been such an uplifting hashtag in these trying times — please check it out and walk with us too if you’re so inclined!

All in all, it’s been a year, but I’m definitely looking forward to the future. I’ll be in touch as soon as I have things to share. In the meantime, please stay healthy, and thanks for your support!

Take care,

Sue

P.S. Have any questions for me about my book or my writing process? Feel free to ask below!

New Year, New Book

2020 was…well, a year. When I look back, though, a lot of good things happened in spite of it all. At the top of the good list: I fulfilled my childhood dream of publishing my first novel. No matter what, I will always be proud of that. Even better, Fortune’s Shadow is getting good reviews (and many thanks to those of you who posted your comments and shared them with friends — it’s such a big help for visibility when you’re a self-published author).

The best moment of 2020 was when I could finally hold the print copy of my book in my hands. I can’t even describe how that felt, and I’m supposed to be a writer!

In retrospect, considering the dumpster fire that is 2020, I’m glad I chose to write Fortune’s Shadow as a self-contained story with a definitive ending. It’s removed a lot of pressure on how quickly I need to write the next book in the series, although I definitely want to get it out there as soon as possible. I’ve been working away on a fun sequel premise that features more of your favourite characters. My goal right now is to publish it by the end of 2021, and I think I’ll be able to make it. I’ll keep you posted as things progress. I’m also planning to work on some short stories set in the Nexus Chronicles universe that will be available to newsletter subscribers. (Newsletter, you ask? How come I didn’t know about it? It’s because it’s still on my list of “things to do” and only exists in my mind right now. Thanks, 2020! I promise it will be up shortly.)

To all of you — thank you for taking the time to read this post. I hope you’re well, and I wish you the best for 2021. May we all have a better year than 2020!

Take care and stay safe. I’ll be seeing you soon.

Sue

Fortune’s Shadow Out in Paperback

Hello everyone,

I hope you are all staying healthy and safe. What a year 2020 is turning out to be! I know I’ve found it difficult on many days to concentrate on reading, never mind writing. And yet both of these things are still helping me manage the challenges of this year.

So even though it feels odd to be promoting my work at this time, I thought I should let you know that my urban fantasy novel Fortune’s Shadow is finally available in paperback from Amazon. (It was a true joy to finally hold the proof copy in my hands!)

Paperback links:

Amazon US

Amazon Canada

Amazon UK

Or if you prefer an ebook from Kindle, Kobo, Apple, or other sources, you can find it here. (You can also request it from your library if they use Overdrive or CloudLibrary apps.)

Fortune’s Shadow ebook

Thank you to everyone who has already purchased it, read it, and left ratings and reviews. I’m honoured you put me on your reading list, and I’m so glad you’ve been enjoying it.

Work is slow on the sequel, but it’s going! I’ll be updating my progress here when I can and writing occasional blog posts.

How have you all been holding up? Do you have any books that that have been great reads for you during this time? I’d love to hear from you.

Take care,

Sue

Fortune’s Shadow Releasing Today!

Hi everyone,

Today’s the day, hurrah! My debut urban fantasy novel is finally out into the world and ready to be read. 🙂 It’s available at several major ebook retailers and is also being published on library catalogues if you’d prefer to request it through your local library (under ISBN 9781777085629).

Is my book for you? If you like the idea of reading about

  • An indie musician trying to make it big
  • A magical wish gone sideways
  • A secret from the past
  • A small town full of fun characters
  • A supernatural showdown

then I’d be honoured if you chose to spend time with Jocelyn and all the other characters I have grown to love.

For those of you who may be wondering, since this is the first book in the Nexus Chronicles: it is a standalone story, and I’ve been told it has a satisfying ending. 🙂 However the threads are there for future tales from the town of Bridgepoint, and I’m working towards writing and publishing at least two more. So if you read my book and enjoy it, I would be very grateful if you could leave a rating or review or share the news with friends.

This has been such a long time coming—I’ve been wanting to publish a fantasy novel since forever. Thank you to everyone who helped me get here!

And thank you, readers, for taking a chance on a new author. I hope you enjoy my book as much as I have enjoyed writing it!

All the best,

Sue

Fortune’s Shadow: Seven Lessons Learned from Self-Publishing

Last year, I wrote a post about my goal to publish my first novel by May 2020. I am happy to be able to say I have achieved that goal. I’m even slightly ahead of schedule! Fortune’s Shadow, my debut urban/paranormal fantasy novel, is now available for preorder at multiple ebook retailers (including Kobo, Apple, and Amazon) and will be released into the world on April 26th!Fortune's Shadow by Sue Archer

With exactly one week to go until launch day, I thought I’d share seven lessons I’ve learned from going through the process of self-publishing my first novel. (I hope that this will help any of you who may be thinking about doing the same!)

1) Don’t worry if you can’t write every day. You’ll still get there.

One of the things that initially stopped me from fulfilling my dream of publishing my first novel was my stubborn belief that I just didn’t have the time. And when I did have the time, I felt pressured, which made it difficult to have the mental energy to be creative. I was surrounded by all this advice implying that you had to write every day. But by the time I was finished my work day, there was no way I was in the mood to sit down at a computer (again!) and write.

So I made a deal with myself: Every Saturday morning, I would sit down and write a scene. One scene. Sometimes I could finish it that morning. Sometimes it took more time throughout the weekend. But the ability to start and finish a chunk of writing every week made me feel positive about my progress and allowed me to set things aside during my work week without having to feel like I was leaving loose threads lying around. The next week, I’d look over what I’d done the week before, make a few edits, and then write the next scene. It took months to get through it. But every week was progress.

2) Have at least some idea of an outline as you write.

I know some people are pantsers and prefer to just write and write until all of their ideas are down, without worrying too much about where it’s going. That is perfectly fine, but frankly, the thought of having to spend time rewriting my story multiple times based on a messy first draft was overwhelming to me. I barely had enough time to write as it was! So I bought Scrivener, which is a useful tool for mapping out an overall rough plot structure (although you can do the same thing in Word), and created some plot milestones based on the wonderful writing resource Save the Cat.

At first those plot milestones were simply words on a virtual card with no content. When I started, I only had a clear idea of the first four chapters and the midpoint. But as I wrote each scene, I was able to gradually fill out the rest of the details, and being able to write from Point A to Point B made finishing an entire novel achievable.

3) Don’t be afraid of feedback.

Self-published books are sometimes perceived as having lower quality than traditionally published books because they haven’t been through the “official” gatekeepers of publishing. But you don’t need your book to go through a gatekeeper to know if it’s any good. What you need to know is that your book will be enjoyed by the ultimate judges of your work—the people who will buy your book. I was determined to make sure I wrote something that stood up to the level of traditionally published books purchased by my intended audience.

Was I afraid of sending my words out to multiple people for judgment ahead of publication? Of course. But I did it anyway, because I wanted to know the truth before I published it, not after. I sent my draft to several people for beta reading. When I reviewed all the feedback, I found that some people commented on the same big things (plot refinement ahead!), while others found different smaller things to improve based on their individual experiences. In the end, almost all of the feedback I received was useful and positive, and it energized me as I updated my draft to make it an even better story. It is truly thanks to those beta readers that my story shines.

4) Line up your publication team well ahead of your release date.

When you’re self-publishing, you’re not just the writer—you’re the publisher. That involves a lot of steps, and I had many things to keep track of as I pulled together my project plan. I did this while I was still writing my first draft, so I could figure out how I was going to get my book out by my release date. The timing of some of the activities was flexible because I could handle the details myself (getting my ISBNs, drafting my author blurb, formatting my ebook), but there were other things where I would need to bring in experts: my editor, my cover designer, my proofreader, and my interior designer for the print version (which will be out in the summer—stay tuned!).

The average time I had to book people ahead? Four months. Why? Because the people I wanted to work with are excellent professionals who are in demand.

Because I planned ahead, I was able to get a fabulous cover from the amazing Ravven, truly insightful line and copy editing comments from fiction editor Maggie Morris, a thorough final proofread from Jess Shulman and a beautiful interior design from Krista Walsh.

5) Use your opportunity to learn new skills.

Self-publishing your novel can be a test of your confidence. I knew there were things I would be absolutely hopeless at—like designing a professional cover—so I made a deliberate decision to go with someone else. But what about other things? Could I really format my own ebook, when I knew nothing about epub coding?

I decided this would be a great time to find out. I took an excellent seminar series on ebook production by Editors Canada that helped take the anxiety out of understanding ebook coding and publishing. And although I ended up submitting my Word document through Draft2Digital’s epub conversion tool, this was only the first step, and I was able to then use my training to fix formatting issues and make my book look perfectly presentable. (When I do this again, I may even get fancier!)

6) Consider going wide.

I know some self-publishing folks go exclusively with Amazon and that works for them. I wanted to publish more broadly (especially during this time, when book publishing in general is being challenged), but I wasn’t sure if this would affect my sales. Then I read something interesting from a fellow Canadian author, who mentioned that they consistently get more sales from Kobo than they do from Amazon, because Kobo (through Indigo) is a big component of the Canadian ebook market.

Makes sense, I thought.

In the end, I set myself up with both Kobo and Amazon under their direct royalty structure and then distributed my ebook to other retailers and libraries through the Draft2Digital platform, which takes a 15% cut of my royalties but manages everything for all the other platforms.

My book isn’t out yet, but based on preorders alone, I am getting more sales through Kobo than I am through Amazon. I’m also higher up on the listings of their Contemporary Fantasy category because the market is smaller, and there are more chances that someone browsing will spot my book. I’m getting sales through Apple, too!

Obviously you need to find a strategy that works for you, but so far I’m really happy about how this is turning out.

7) Enjoy your moment in the sun!

This is such a weird time to be publishing a book. I can’t release the print version yet because proofs of physical books are being delayed. Everyone is going through personal (and often financial) challenges. Book retailers are struggling. Publishers are delaying launches. I almost didn’t go ahead.

But when I mentioned this to my friends on Twitter, they told me how much they appreciated seeing my excitement about my book during this time. They felt this was exactly the right time for an entertaining escape read. And since my book is going to be available for library distribution, anyone who wants to read it but can’t buy it can ask for it at their library instead, which I love, since the library is my happy place.

So I decided to go for it, and I couldn’t be more thrilled. My dream is coming true, and nothing can stop it!

I believe it’s more important than ever to enjoy our creative achievements right now. So don’t be afraid to share your good news and market your work.

And if you’re writing that novel, and you’re just not there yet, please know that I’m cheering you on all the way. 🙂

 

Sue

Coming Full Circle

I haven’t posted here for a while. At first, it was because I was taking on a lot of editing work—which was a wonderful reason not to have time to write! It’s been such an incredible experience collaborating with my indie clients to help them craft their stories, whether through the big-picture view of manuscript assessments or the nuts and bolts of stylistic and copy editing. I also had the opportunity to work on multiple series, and it was so much fun celebrating along with my authors whenever each new book was published.

Then something happened. As I experienced my authors’ passions for writing tales about kick-butt swords-for-hire or snarky urban sorceresses or courageous vampires or assassins with a fear of blood, it rekindled something in me—my desire to write my own urban fantasy novel. But I knew I was never going to get around to it if I didn’t even have the time to write blog posts!

So I made a conscious decision to only take on manuscript assessments going forward, and I set to work at seriously writing a draft of my own first novel after many years of starts and stops.

The indie authors I work with are the most generous people I have ever met. Now that I am the one jumping into the fray, they have been so supportive, offering advice and cheering me on. I have been so inspired by them, and I am thrilled to be working towards self-publishing my own story.

In Ottawa at the Byward Market with the talented Krista Walsh! (That's Krista on the left and me on the right.)
In Ottawa at the Byward Market with the talented Krista Walsh! (That’s Krista on the left and me on the right.)

Recently, I saw a Twitter post from an editor who was advertising her services by calling herself “100% editor”—someone who wasn’t a writer, and therefore would be a better choice as an editor because she was solely focusing on her clients.

As you might guess, I am viewing things a different way. I feel that by coming full circle, through experiencing the same challenges that my clients have faced in trying to bring their best stories to their readers, it can only make me a better editor.

I’m continuing to enjoy doing manuscript assessments, since I love working with structure and looking at how all of the aspects of a story can be reassembled to make it even stronger.

At the same time, I am writing, and I am so pleased to be able to say I have completed a full draft of my novel, which I am hoping to publish in May 2020!

I’m also going to do my best to write the occasional blog post again and share my thoughts on editing, writing, and self-publishing as I go through this new challenge.

Thank you to everyone reading this. I hope to post again soon! (Or at least, sooner than before!)

All the best,

Sue

 

 

Describing Setting Through Your Character’s Eyes

Think about one of your favourite fictional stories. Why did you like it so much?

I’ll bet a key reason you liked it is that the story had a character you cared about. Someone who felt real to you. Someone who drew you into their adventures and kept you captivated right to the very end of the plot.

It’s not easy to create a character who is consistently three-dimensional throughout a story. That’s why there are so many articles out there on strengthening the main character’s point of view.

woman's eyes
Source: Wikimedia Commons

One item that is sometimes overlooked, though, is the relationship between character and setting. This is particularly important in stories that are intended to have a narrow narrative distance between the reader and the character.

When I edit scenes involving setting descriptions, a common piece of advice I give is to think about the scene from the character’s point of view. I have run across descriptions of living rooms and castle halls and even parking garages that are brilliant on their own, but they don’t work for the story, because the descriptions are coming from the writer’s point of view, rather than the character’s. The painstaking research that the author has done to make the scene feel more “real” has been lovingly added to the page, but the reader ends up feeling more distant from the story instead of closer to it.

Why? Because if the setting was being described by the character, they would be presenting it in a different way. And the reader has now been reminded that there is an author behind the story, one who is adding in details that the character would not perceive or missing ones that the character would care about.

Here are some questions you can ask yourself that will help you make your setting descriptions more character-focused:

  1. What would your character notice first? Is this the first thing that is mentioned in the description?
  2. Is there someone or something that your character needs to notice in more detail (such as the new love interest)? Is the appropriate emphasis given to this part of the scene?
  3. How would your character visually look at this particular setting? Would the character notice the wide view and then look at specific details? Or would the character hone in on a particular part of the setting? Would they see things in a certain directional order, such as from left to right, front to back (down a hallway), bottom to top (looking up a castle staircase), or from top to bottom (scanning someone from head to toe)? Is anything in the setting being described out of order?
  4. Would your character know or care about the details you’re including? Maybe they are a car enthusiast, and so they would know the exact model of that sports car in the parking garage. Or maybe they would only notice it’s red and has four wheels. Maybe they’re staring at it because they can’t afford such a fancy car, and they’re envious of the owner. Or maybe they wouldn’t even see it because they’re too busy looking at something else.
  5. What emotional state is your character in? Are they focused, happy, sad, angry, afraid? This could affect how they describe things, how well they are taking in the details, and which pieces of the setting they dwell on.
  6. How busy is your character right now? If your character is in the middle of a fight or running away from the villain, chances are they won’t have the time to describe much without inadvertently slowing down the action.
  7. Is your character visually oriented, or are they more likely to notice details through other senses? If your character is a musician, maybe they notice sound a lot, for example. Or maybe your character focuses a lot on other senses, such as smell (especially if they are a werewolf!).

By taking the time to think about how your character might react to their particular surroundings, you will both strengthen the description and reinforce the integrity of your character’s point of view. And your reader will feel rewarded when they read your character’s story.

I encourage you to try taking a setting and describing it from the perspective of multiple characters in the scene. You might be surprised by the differences that come out.

***

Do you like writing about settings, or do you find it challenging? Do you have any tips for describing setting that you’d like to share? Please share your thoughts below!

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